National
Theater
June
12
A seasoned performer with worldwide appeal. |
Jazz
singer and pianist Freddy Cole is a proʼs pro, a natural performer
who got his start in the business early – very early. As the
younger brother of Nat “King” Cole, he grew up in a household
where Duke Ellington, Count Basie, Lionel Hampton and Billy Eckstine
were regular visitors. He began playing in Chicago clubs as a
teenager, then got formal musical training at Juilliard and the New
England Conservatory of Music before settling in as a regular on the
New York nightclub circuit and launching an international touring
career. At 80, Freddy hasnʼt slowed down a bit; he was in Poland
last month, will be going to London after his Prague gig, and has
other dates scheduled in Germany, Switzerland, Russia and Chile this
year. His enduring popularity reflects the wide appeal of his music,
a smart, sophisticated treatment of the American songbook presented
with style and an engaging stage presence. Prior to coming to Prague,
Freddy talked about his work and career in a phone conversation from
his home in Atlanta.
In
2010 you released Freddy Cole Sings Mr. B, a
tribute to Billy Eckstine. What was your relationship with him?
I
sort of grew up with him. He was very good friends with my brothers,
so consequently in time he and I became very good friends. I canʼt
tell you how many years I knew him, but it was a long time.
What
did you learn from him?
Where
should I begin? Just watching him, you could pick up different little
things – nuances with your hands, how he approached the music. He
was a very classy man.
Did
the CD accomplish what you had hoped?
Well,
you can never do enough with a person like that, he was such a giant
in the business. We looked at a lot of his songs, and found that we
were just scratching the surface. There is a lot of whatʼs called
the American songbook played on the radio now, but you very seldom
hear Billy Eckstine. It puzzles me. But when you start to play his
music, it brings back memories for so many people.
Youʼve
been playing abroad for a long time. Do you find yourself introducing
new material to foreign audiences, or are they already familiar with
a lot of it?
Itʼs
a little of both. Mostly, what I try to do is play something that
they know. Thereʼs no sense in me coming over there to play some
avant-garde stuff that has people sitting there scratching their
heads. I try to play something that they know within the realm of
what I do.
You
could have retired a long time ago. What keeps you on the road?
The
music. The music keeps me going. As long as Iʼve got the strength,
and I can do it, Iʼll continue to do so.
After
all these years, how do you keep your sound fresh?
Iʼm always listening to music, and Iʼm always adding stuff, doing
something different here and there. You never can tell – I might
like the chord structure in one song, or the lyrics in another.
Thatʼs the beauty of jazz, you donʼt have to play it the same way
all the time.
What
can we expect to hear at your Prague concert?
Weʼll
be doing several things from the newest album, Talk
to Me, and some other
things – you can never tell. Our repertoire stretches from Broadway
to the blues.
Do
you work from a set list?
No,
I really donʼt, because to me it kind of gets in the way. If the
music is not going over, why continue to do the same thing? Switch up
and do something else. It keeps people guessing, keeps them on the
edge of their seats. You canʼt do that with a set list.
When
you played Prague Spring in 2008, you were at Lucerna Music Bar, a
rock ʼnʼ roll club. How do you feel about going from there to the
most prestigious stage in the country, at the National Theater?
Iʼll
be very, very happy to play there, just like I was happy enough to
play in the juke joint. You know, Iʼm a saloon singer. As long as
Iʼm singing, the world is all right and everything is swinging.
And
what do you hope the audience gets from your performance?
Joy
and happiness. Keep hope alive, keep jazz alive.
For
a video clip and ticket information:
http://www.narodni-divadlo.cz/Default.aspx?jz=en&dk=predstaveni.aspx&sb=4&ic=5832&pr=91371
Photo by Clay Walker
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